The Hollywood Reporter – At the helm of a big-screen feature for the first time, Lea Thompson directs a comedy written by her daughter Madelyn Deutch, who stars with her real-life sister Zoey Deutch.
Sisterly chemistry is the natural resource fueling The Year of Spectacular Men, an uneven but sparky comedy showcasing Madelyn Deutch and her real-life sib Zoey, star of such features as Why Him? and Vampire Academy. Revolving around a succession of romantic misadventures, the film was written by Madelyn, whose mostly witty dialogue and assured performance as an aimless college grad updates the archetype of the smart ditz with a modern sexual frankness.
For the twentysomethings with whom the movie is sure to click, the sarcastic jabs at such easy targets as health-conscious New Age types might feel fresh rather than strained. But even with the screenplay’s sometimes screechy missteps, the Deutch duo hold the screen with charm and intelligence to spare.
The family affair extends to the director’s chair, occupied by the Deutches’ mother, the veteran actress Lea Thompson (Back to the Future), while their father, Pretty in Pink director Howard Deutch, serves as a producer. They each bring notable experience with coming-of-age stories to the 12-month saga of a lovable hot mess. Though there’s a specifically millennial slant to this twentysomething’s search for meaning and purpose, the bright and polished film has a retro sheen that fondly recalls romantic comedies of the ’70s and ’80s.
That’s especially so in the opening sequence, Thompson’s unequivocal tip of the hat to Woody Allen: New York City scenery, New Orleans jazz on the score, a glimpse of a therapist’s couch as a series of young men recall their relationships with Izzy Klein (Madelyn Deutch). The year of languor and reckoning begins in sunny May, with Izzy’s indifferent graduation from college and unexpected breakup with Aaron (Jesse Bradford), who’s fed up with her lack of direction. Deciding to give acting a try, Izzy heads home to Los Angeles, where her younger but decidedly more worldly sister Sabrina (Zoey Deutch) is a busy, up-and-coming movie actress.
The warm, stable relationship between Sabrina and her actor boyfriend Sebastian — played by a terrific Avan Jogia, Zoey Deutch’s former offscreen partner — is the only element of the movie that doesn’t spring from stereotypes. It actually defies them. Sabrina and Sebastian aren’t pathologically self-involved Hollywood snobs; they’re good people. That a trio of friendly middle-aged paparazzi (Bob Clendenin, Alison Martin and Troy Evans) camp outside their place is one of the more inventively playful touches in Madelyn Deutch’s script.
Izzy’s clueless auditions follow a more familiar course, and she soon withdraws from the world to spend months holed up chez Sabrina, indulging her X-Files obsession until her persistent sister pries her out of her room. Their every back-and-forth has verbal snap as well as the offhand intimacy of people with a deep bond. By contrast, the underlying drama between them, involving a secret that Izzy has been keeping from Sabrina about their father, feels tacked-on and never delivers the intended punch.
As for Izzy’s romantic entanglements, her kooky flailing and sweet sincerity are far more spectacular than the men themselves, who range from the insufferably pretentious (Cameron Monaghan as a classmate) to the openly sincere (Zach Roerig as a ski-slope rescuer). The screenplay strikes deeper chords in Izzy’s relationship with a drummer (Brandon T. Jackson) and her flirtation with a shy film director (Nicholas Braun); in both cases, Deutch fearlessly punctures romance-novel illusions about sex.
Thompson, who has directed episodes of TV series including The Goldbergs, has an eye for physical comedy and maintains a suitably brisk pace. She sometimes indulges overwritten scenes, though. And a sitcom sensibility occasionally intrudes upon the clear-eyed material, particularly in Thompson’s performance as Izzy and Sabrina’s widowed mother, whose lesbian relationship with a younger yoga-and-quinoa enthusiast (Melissa Bolona) is more punchline fodder than convincing human interaction. It’s also an excuse for a sequence set in wintry Lake Tahoe that unravels in predictable rom-com melodrama but offers the visual delight of Izzy’s bungling attempt at skiing.
Always energetic but sometimes underpowered in terms of emotional connection, the movie has a bright look, thanks to the contributions of designers Sara Millan and Kate Mallor and the smooth, unobtrusive camerawork of Bryan Koss. Thompson casts the story’s youthful, warts-and-all exuberance in a burnished, slightly unreal glow. At its strongest, Izzy’s postcollegiate Year is a smartly fractured fairy tale.
Venue: Los Angeles Film Festival (LA Muse)
Production company: Parkside Pictures
Cast: Madelyn Deutch, Zoey Deutch, Avan Jogia, Nicholas Braun, Jesse Bradford, Lea Thompson, Cameron Monaghan, Brandon T. Jackson, Zach Roerig, Melissa Bolona, Bob Clendenin, Alison Martin, Troy Evans, Alex Mapa
Director: Lea Thompson
Screenwriter: Madelyn Deutch
Producers: Daniel Roth, Damiano Tucci, Howard Deutch, Gordon Gilbertson,Zoey Deutch
Executive producers: Michael Tadross Jr., Christopher Conover
Director of photography: Bryan Koss
Production designer: Sara Millan
Costume designer: Kate Mallor
Editor: Seth Flaum
Composers: Madelyn Deutch, Denver Dalley
Casting: Tineka Becker
The Hollywood Reporter – What did you learn about your daughters by directing them?
Through this process, I learned more about them as people and as artists, and I’m sure they learned a lot about me! I was surprised by how sharp their comedy skills are, and what mensches they are to their fellow crewmembers. An independent film, or any film really, is such a high-stakes environment. But it made me happy to hear Madelyn’s words being spoken by the cast, and to have her do the music, since Women in Film says that only one percent of films are scored by women. This process has been one of the great joys of my life and I’m excited for people to see what the Deutch girls have been up to.
Recently, InStyle posted the pictures of Zoey Deutch taken, originally, for Max Mara. Check them out:
Glamour – She’s only 22, but Zoey Deutch has already racked up 15 films (Vampire Academy, Everybody Wants Some!!, Before I Fall among them) to cement her status as one of Hollywood’s rising stars. But that only tells half the story: She’s also a producer, activist, and fashion’s newest one to watch, largely thanks to Max Mara. Deutch was handpicked by the Italian label as its 2017 Women in Film Face of the Future award recipient.
Even before Max Mara was toasting Deutch in Los Angeles, though, the multi-hyphenate was featured as part of Net-a-Porter’s 2017 Women in Hollywood shoot for The Edit, had a few Met Galas under her belt, and was already fluent in the fashion-show-front-row squad pose. More crucially, though, she understood the transformative role that style can have on a person. “The most important thing about fashion is that it’s a form of expression,” Deutch told Glamour at the Face of the Future reception thrown in her honor. “It means every single day is different. At an event like this, I don’t want to only feel beautiful, but I want to feel powerful. The right outfit is like a suit of armor and makes you walk differently, talk differently, move differently. I think that’s a real gift, and I feel like that in this [outfit]!”
In a moment of true candor, Deutch then admitted that even though she might look like the epitome of cool in her red velvet blazer over a bandeau top of the same material, “I’m sweating and now my coat’s off and I’m half-naked here!”
Still, the actress knows that being one’s authentic self trumps maintaining an exhaustive image of looking like you’ve got it all together. “The best pictures are when you have life and personality,” she explained. “[Red carpets] can be so scary and constraining that it [ends up having] the opposite effect, so it’s about tricking yourself into not being scared and [transforming] that into being confident and alive.”
Throughout her career, we’ve seen Deutch photographed in brands like Miu Miu, Rodarte, Alexander McQueen, and, of course, Max Mara. When it comes to her day-to-day style, though, you’re more likely to spot her wearing “high-waisted vintage Levi’s, some really old Converse, and a white short-sleeved shirt.” As a public figure, though, she’s very aware of the power of aligning oneself with empowered female designers. “To me, that’s especially meaningful because I am from a family of women in film,” she told Glamour. “My mother [Lea Thompson] is a director and actor, and my sister is a writer and actor. And to get the support of Max Mara is [amazing because] they’re all about empowering and supporting women in the art and film world.” We can’t wait to see more of that.
Zoey Deutch attended, on June 13th, the Women in Film Crystal and Lucy Awards, where she was honored and awarded. Check out the pictures below:
Appearances & Events > 2017 > Jun 13 | Women In Film Crystal and Lucy Awards (Arrivals)
Appearances & Events > 2017 > Jun 13 | Women In Film Crystal and Lucy Awards (Inside)